Sydney-based double bass luthier Matthew Tucker has recently won the Silver Medal for Tone at the 2015 International Society of Bassists (you didn’t know such a group existed did you??) Convention in Fort Collins, Colorado.
http://bresque.studio205.net.au/
http://www.isbworldoffice.com/convention.asp
As the website says double bass judging consists of two quite different but very important factors: workmanship and tone. Certificates and Silver Medals are awarded in each class.
For an instrument to receive the coveted Gold Medal, it must have been recommended by all judges for a Silver Medal in both the workmanship and tone categories. In the history of the ISB Makers Competition there have been only four Gold Medals awarded.
So a silver medal in Tone is a huge vote of support for Matthew Tucker and for Tasmanian blackwood as a quality bass tonewood.
I took the bass over in June and entered it into the international makers competition, in a field of 25 makers. The Silver Medal is the highest award given in that category.
Here’s what the Judges said:
“Very easy to play. Lovely upper register G string, with a refined sound, excellent projection and good balance overall across the strings … the solo quality is striking. Although delicate, the sound has wonderful bottom to reinforce it.” – John Clayton
“Beautiful, clear and compelling tone, good consistent dynamic range and seamless response. Truly exceptional ergonomics … too easy to play! A fantastic, versatile bass” – Or Baraket
“This is a wonderful, easy to play travel bass especially for solo, jazz and chamber group.” – Nick Scales
The bass is now on sale and can be played at AES Fine Instruments in New York.
Congratulations Matthew! Fantastic result.
Some more pics of this beautiful instrument:








Hooray for Peter Adams
The Talking Point in today’s Mercury newspaper by furniture designer/maker and artist Peter Adams is a rare and much welcome alternative opinion in the ongoing nonsense around special timbers and the prospect of logging the Tasmanian Wilderness World Heritage Area.
http://www.themercury.com.au/news/opinion/talking-point-far-more-beautiful-left-standing/story-fnj4f64i-1227474696519
It is just so rare for someone within the forest industry to come out and publically challenge the current industry and policy orthodoxy.
From today forward, all timber workers, myself included, have to re-examine their use of speciality timbers.
That said, what I will never do is use any timber cut within the boundaries of a World Heritage Area. Nor should anyone.
My suggestion to Peter Adams and others (including consumers) is to:
Wood is not a taxpayer-subsidised community service. It is a commercial product.
Planting trees and managing plantations and forests costs real time and money.
The only way for Tasmania to have a successful forest industry, and realise the vision of Peter Adams, is for tree growing to be blatantly and transparently profitable.
Only Tasmanian farmers can make this happen; farmers who are passionate about growing a quality product.
I was up in the north west of the State this week for the first time in a while, and driving around imagining a rural landscape dotted with well managed forest remnants and plantations of blackwood. Instead I saw opportunities being wasted. Most farms have wet gullies, steep slopes and small areas too difficult to manage. Good land going to waste. These areas are just ideal for growing commercial blackwood.
One of the key things missing is the right commercial and political context to get these areas planted.
Peter Adams points the way to the future.
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Posted in Commentary, Markets, Politics, Support
Tagged Peter Adams, Tasmanian Wilderness World Heritage Area