Category Archives: Tonewood

More Stringfest Thoughts

In the review of my experiences and thoughts on the inaugural Deloraine Stringfest I said the major element missing were the proud, passionate and profitable tree-growing farmers – the first link in the chain from tree to instrument, farmer to artist. I was the only one exhibiting at Stringfest representing existing and future growers of blackwood and other special timbers.

From a business/market process point of view the Stringfest exhibitors (luthiers and tonewood merchants) were all pushing in the one direction. The luthiers were promoting and selling their instruments to players and performers, while tonewood merchants were promoting and selling their timbers to the luthiers – links in a chain. But there was little action in the opposite direction.

Why do we need action in the opposite direction? What action?

Markets work by an interplay/tension between supply and demand. The push and pull of the marketplace. If we are to encourage farmers to grow our special timbers for us then we need to provide as much incentive and information as possible. Trees are a challenging investment at the best of times so Stringfest provides an ideal forum for providing market, price and demand information in BOTH directions back to the farmer/tree grower all the way to the consumer/artist. All that passion, dedication and commitment can help drive some significant market activity.

At Stringfest the tonewood merchants should be looking to both sell their tonewood timbers to luthiers AND buy suitable trees/logs from farmers, and establish long-term relationships with tree-growing farmers. It would have been great to see some “LOGS WANTED” signs showing at Stringfest. Even some information telling people about what goes to making a good tonewood log, species, sizes, indicative prices, etc. The average farmer has absolutely no idea about the tonewood market. This needs to change and change quickly, so the more information the better.

Similarly Stringfest provides an ideal opportunity for luthiers to talk to tonewood merchants about their wood requirements and indicative prices. I saw plenty of this happening at the weekend, hopefully with some positive outcomes.

At Stringfest I spoke to a number of people who had trees they were interested in selling and I pointed them towards the tonewood merchants. I heard of a number of follow-ups being arranged which was great. At the moment the Blackwood Growers Coop remains more a dream than a reality. As the Coop develops then building relationships and markets with sawmillers and tonewood merchants will be an important goal. Hopefully in the future I will have “LOGS FOR SALE” as part of my Stringfest display.

Stringfest was not really marketed at the farming community but the farming community needs to be brought into the audience in future.

The question of the future supply of our special timbers was definitely the “elephant in the room” at Stringfest, especially given the extraordinary political events on the Friday. Stringfest provides a brilliant focus and opportunity to help resolve that question and remove the elephant once and for all. I’m already thinking about next years festival.

Cheers!

Black Friday

Last Friday March 21st 2014 Will Hodgman Premier-Elect of Tasmania on behalf of the forest industry, and particularly on behalf of the special timbers industry, officially declared war on the Tasmanian community.

That was my immediate and clear response to this news item:

http://www.abc.net.au/news/2014-03-21/no-detail-on-forestry-future-after-dumpoing-of-peace-deal/5336956?section=tas

Does the special timbers industry want to be part of this war?

Does the special timbers industry want to be used and manipulated as the reason for this war?

As a member of the special timbers industry trying to establish a business to help move the industry onto private land and away from the politics and conflict of public forest management I certainly do not!

Hodgman_Edwards

In the last 30 years I don’t recall the forestry wars being so formally declared, not with such blatant hostility and certainly not with the forest industry as reluctant (?) participants. Poor Terry Edwards (FIAT Chief Executive) standing behind Mr Hodgman looks more like a refugee trying to escape a warzone than a General about to lead what remains of his troops. “The world has moved on.” Indeed it has!

Some people think this is just a war against “the greenies” or those who failed to vote Liberal this time. But conflicts affect everyone. There are never winners in conflict; everyone loses, some more than others, often the innocent are the biggest losers. And the last 30 years of the forestry wars have been littered with false hopes and promises, and thousands of innocent victims. Politicians come and go while the victims are piled higher.

The losers over the last 30 years have been the forests, the forest industry and the Tasmanian community. That fact should be obvious to everyone. This time is no different.

Having spent last weekend as an exhibitor at the inaugural Deloraine Stringfest, it became very clear to me that this may have been the first and last Stringfest. Stringfest is a celebration of Tasmanias world-class timbers, the craftspeople who turn them into musical instruments, and the artists who play them. I was the only exhibitor representing the first link in the chain back to the trees and the people who grow them. That link needs to be strengthened and promoted. Farmers as proud tree growers need to become an integral part of Stringfest if it is to grow and have a sustainable future. There was no one at Stringfest representing Forestry Tasmania and public native forest management.

I spent the weekend at Stringfest wearing a black armband in mourning for the forest industry and the people of Tasmania.

Landmark events such as Stringfest and the Wooden Boat Festival, which showcase special timbers, will be used by our politicians as weapons to escalate the conflict. Even retailers, consumers and artists will be used as pawns in the battle.

The special timbers industry, whether it likes it or not, is being used as a weapon against the Tasmanian community. Talking to people at Stringfest there was a wide range of opinions within the industry. There was certainly no possibility for consensus on a future strategy. Many were resigned to the wars as passive observers. Some in the industry have already moved their supply sources onto private land in an attempt to avoid the conflict. A few are even looking forward to the coming battle in the hope that they will succeed. The last 30 years clearly show that outcome is very unlikely.

Many people have a “why don’t they….?” or “if only they would….” attitude to the problem. “The forests are there, if only we could manage them properly, then everything would be ok and everyone would be happy”. This fairytale dream just won’t happen. If anything the real world has moved in the opposite direction. The more people hold onto this fairytale the worse the nightmare becomes. In my opinion this fairytale has now become part of the problem. We need to give up the fairytale and move on.

Many people will not accept my interpretation of these events. That’s fine by me. People believe what they want to believe. Everyone has a different view on life.

Does the special timbers industry, including retailers, artists and consumers, want to be used and manipulated as the reason for this war?

What is more important?

Continuing to have access to conflict-ridden, unsustainable, taxpayer-subsidised special timbers from our public native forests, or moving the industry onto private land and bringing peace and prosperity to Tasmania?

For some in the special timbers industry this transition will be impossible, but for many it is a very real alternative. Many have already made the transition.

Please don’t be a pawn in Mr. Hodgman’s political power games. It is time to decide!

Go Deloraine Stringfest!

What a hoot!

I had a fantastic time as an exhibitor at the inaugural Deloraine Stingfest.

It was fantastic meeting so many people in the industry as tonewood merchants, luthiers, and artists. It was also fantastic meeting and talking to so many of the public who came along. I had many great conversations with people.

I met many farmers and landowners who expressed interest in becoming commercial blackwood growers. I will be contacting the most enthusiastic to arrange a visit, and hope to get phone calls or emails from many others.

I want to thank and congratulate the organisers and people who volunteered their time and talents to make Stringfest happen. And to the people of Deloraine who helped make the event such a success.

As an exhibitor I didn’t get to see much of the festival myself. But I saw 5.5 hours of absolutely brilliant performances on Saturday night. It was a long day but well worth it.

Stringfest definitely has the potential to become a major Tasmanian cultural and community event. It features so many aspects that attract and interest a wide audience. And there is no doubt about the quality, the passion and commitment.

From my point of view one major aspect missing (under-represented??) was the proud, passionate tree-growing farmers. I was there promoting that dream, that opportunity, but if Stringfest is to have a sustainable future then all the links in the chain from tree to instrument, from farmer to artist must be represented and promoted. This is especially true within the current political madness and conflict with the public native forest resource.

I spoke to a few people about the idea of having a mini-Stringfest stall at Agfest to help promote and build interest and relationships with the farming community; to help create that first link in the Stringfest chain. Some of us are discussing this idea to make it happen in 2015. Anyone interested?

Create the full chain from farm to stage and Stringfest could easily become a unique major international event.

Thanks to Kevin for buying the two display blackwood trees that I brought up from Hobart and didn’t want to bring back home. I hope they have found a good home.

Cheers!

Deloraine Stringfest Final Program

The final program for this weekends Deloraine Stringfest is available here:

http://meandervalley.blogspot.com.au/p/blog-page_2354.html

Stringfest Program 2014 p1

Bigger than Ben Hur!!!

See you there!

Another guitar story

Following on from the Cort Guitars story here’s another guitar story that recently appeared in ABC Business News website.

A great little story (video) about renowned Melbourne-based Maton Guitars.

http://www.abc.net.au/news/2014-03-04/australias-maton-the-guitar-to-the-stars-wont-be/5298888

Cort Guitars

Not everyone can afford a nice custom make guitar. Cheap mass produced guitars are essential in the marketplace.

I’ve mentioned Cort Guitars previously in the blog about Victorian blackwood legend Murray Kidman. Murray supplies blackwood from the Otway Ranges to Cort Guitars. It’s not Tasmanian blackwood, but maybe……..one day.

So here’s an impressive video tour of the Cort acoustic guitar factory. They even mention blackwood at 53 seconds!

The machinery and technology you can invest in when you build >1,000,000 guitars per year! Quite amazing!

Could this one day be Tasmanian certified farm-grown blackwood? Absolutely!

Enjoy!

DELORAINE STRINGFEST

21, 22, 23 March 2014

This will be a great event!

I’ll be there to talk about how we can turn blackwood into an internationally recognised and appreciated tonewood with a Blackwood Growers Cooperative.

Put this weekend in your diary now.

See you there!

http://www.stringfesttas.com/

Luthiers, musicians, collectors and lovers of fine instruments and great music will gather at the inaugural Deloraine StringFest Tasmania in March 2014.

Deloraine is the home of the annual Rotary Tasmanian Craft Fair in November and is recognised as a centre for the arts with many fine crafts-people and artisans living in and around the Meander Valley.

Deloraine StringFest Tasmania (StringFest) is a celebration of stringed instruments, especially those made in Tasmania or made with Tasmanian woods such as blackwood, huon pine, sassafras and macrocarpa.  Tasmania has many fine artisans who create guitars, ukuleles, violins, harps, banjos, lutes and other fine instruments. Tasmanian woods are used Australia-wide and are keenly sought by instrument makers internationally.  Australian instruments by both large manufacturers and artisans have achieved international fame, and this is an opportunity for musicians, luthiers and enthusiasts alike to gather, display, sell and discuss their craft and love of instruments.

StringFest will bring together Instrument makers, tone-wood suppliers [AND GROWERS], musicians, groups and lovers of these fine instruments for displays, jam sessions, busking, concerts and workshops.

Musicians and makers attending StringFest will hold and attend workshops on playing and making instruments. All types of string music and instrumentation will be represented played by professional and amateur musicians from all over Australia.

StringFest Aims:

  • To present a festival of stringed instruments, showcasing Tasmanian and Australian luthiers, Tasmanian tone-woods and instruments;
  • To recognise Tasmanian instrumentalists and provide a social gathering for musicians, both professional and amateur;
  • To highlight the craft of luthiers and the pre-eminence of Tasmanian timbers used world-wide to create quality crafted stringed instruments; and
  • To provide ongoing recognition of Deloraine as a centre for craft and arts excellence.

Event Management

StringFest is a non-profit community event auspiced by Arts Deloraine, a non-profit community arts organisation, with any profits being directed back into the community for future events.

StringFest Events

Over the three days of StringFest there will be a multiplicity of events, some organised by the Management Committee and others hosted by community groups and business houses.

Friday, Saturday and Sunday – Instrument EXPO   Sports Complex, Little Theatre

Displays by luthiers of Stringed Instruments, displays of collectors instruments, Displays of Tone-woods used in instrument making.  Refreshments will available at the venue. ($5 admission). (Once only charge)

The Sound of Business

A story posted yesterday on the Business Spectator website. One of their series on Australian family businesses. Not so much a story about blackwood, but given the importance of Melbourne-based Maton Guitars in the commercial development of blackwood as a internationally recognised tonewood I think it’s a great story. Plus I always enjoy reading Alan Kohler’s articles. Thankyou Matons and Mr Kohler.

http://www.businessspectator.com.au/article/2013/10/31/family-business/sound-business

The sweet sound of Tasmanian guitars

Check out this great little story from ABC Northern Tasmania about Melbourne-based luthier Chris Wynne.

http://www.abc.net.au/local/photos/2013/10/09/3865202.htm?site=northtas

Chris runs luthier (guitar building) workshops in Stanley and has been a proud promoter of Tasmanian tonewoods for many years. He also runs very popular workshops in Italy. Check out his website:

http://www.thomaslloydguitars.com.au/

Read the ABC story and listen to the interview.

PS. Here’s a similar story in The Advocate:

http://www.theadvocate.com.au/story/1822279/creating-a-unique-sound/?cs=87

 

Blackwood – the yet-to-be sustainable tonewood

Blackwood also is sourced from forests that are responsibly managed, making it a sustainable wood for guitar making.”

Guitar

This is a quote I recently found in a newsletter published by a major guitar maker.

Regular readers of this blog will understand that “responsible” and “sustainable” are not words I would use to describe blackwood management and production in Tasmania. Not yet anyway.

Not that blackwood is in danger of becoming extinct as a species. Far from it. But in the next 2-3 years it will become commercially extinct; that is the wood volumes available for harvesting will drop to levels that only allow a craft industry to persist. But the forest industry is not yet prepared to admit this disaster, and is currently heading in the opposite direction required to fix the problem.

Nor am I implying deception on the part of the guitar maker. It is easy to be swayed by the official forest industry information into thinking that all is well. But you don’t need to scratch hard to begin finding problems.

Most blackwood timber comes from the harvesting of public native forests that have been the subject of increasingly bitter community conflict over the past 30 years. These forests are managed by the Government forest agency Forestry Tasmania. Blackwood is also a common tree on farmland across northern Tasmania, and while there is a small amount of blackwood timber harvested from private land most farmers do not regard their blackwood as having any commercial value. The forest industry here has traditionally been a Government dominated closed shop so most farmers know not to bother growing trees for wood production.

But the only possibility for restoring responsible, sustainable blackwood supply back to commercial levels is from private land. And the blackwood industry (including guitar makers) needs to understand, appreciate and openly support this.

In three recent blogs I discussed in detail the numerous issues that the blackwood industry currently faces around the public blackwood resource and State forest policy, some of which directly hinder the development of the private blackwood industry. These include:

  • Long term overcutting of the resource;
  • Poor resource management;
  • Major decline in supply in the next 2-3 years;
  • Failed new resource initiatives;
  • Non-profit taxpayer-subsidised business model;
  • Anti-competitive sales and pricing processes;
  • Lack of market competition and transparency.

Meanwhile the blackwood industry sits quietly on it’s hands and says nothing, hoping that a fairy godmother will soon arrive and fix this ungodly mess. Certainly no farmer or anyone else will invest in blackwood under these conditions.

Tasmanian blackwood could be a sustainable tonewood supplying international markets. It is a recognised premium tonewood. It is fast growing. The establishment of a plantation program could see a selection and breeding strategy commenced to grow the best possible blackwood for the tonewood market. But not yet. Under current policy and practice Tasmanian blackwood timber production is anything but responsible and sustainable.